This visual essay explores the domestic sphere as a site of feminist resistance and transformation. Through five paintings that blur the boundaries between autobiography and cultural critique, the essay reclaims the home as a charged space where trauma, care, memory, and political agency intersect. Anchored in the lived experience of exile and war, the works evoke how glamour, animals, stillness, and bodily gestures become tools of survival and testimony. The project reflects on what it means to resist through intimacy and image.
Josephine Florens (Mon,) studied this question.