Pistols and petticoats, piety and purity: To Wong Foo, the queering of the American monomyth, and the marginalizing discourse of deification

–Recently, the mainstream media have begun to include positive portrayals of gays and lesbians. This essay suggests that these positive portrayals demand critical scrutiny to determine how they redefine mainstream culture and how they serve to challenge and/or reinforce heterosexual bias. In an analysis of To Wong Foo, Thanks for Everything! Julie Newmar, we examine how a narrative film negotiates the practice of drag and represents gay male “drag queens” through a progressive refiguring of the monomythic themes which inform the popular genre of Western film.