Col tempo: musical time, aging and sexuality in 16th-century Venetian paintings

Journal Article Col tempo: musical time, aging and sexuality in 16th-century Venetian paintings Get access Jane Hatter Jane Hatter Jane Hatter is a doctoral candidate at the Schulich School of Music, McGill University, and is writing a dissertation about music and associations between musicians in the late 15th and early 16th centuries. Her research is supported by the ‘Making Publics in Early Modern Europe’ project (http://makingpublics.mcgill.ca). In her master's thesis she explored the use of music from Petrucci's Venetian motet anthologies in Venetian confraternities, and an article on this is scheduled for publication in a collection of essays on the motet c.1500. Jane complements her interests in the social contexts for vocal music by singing regularly from original notation and decorously engaging in social musical gatherings. jane.hatter@mcgill.ca Search for other works by this author on: Oxford Academic Google Scholar Early Music, Volume 39, Issue 1, February 2011, Pages 3–14, https://doi.org/10.1093/em/caq110 Published: 25 January 2011