The Politics of Accuracy in Judging Global Warming Films

In 2007, two documentaries about global warming—An Inconvenient Truth and The Great Global Warming Swindle—became subject to legal and regulatory challenges in the UK. This paper examines the limitations of appeals to accuracy in these two cases. Rather than terminating debate, the discourse of accuracy engenders a representational regress which serves only to generate further controversy. Accuracy claims become particularly problematic in the case of documentary film where the role of the visual image must be accounted for. In particular, the ambiguous figural status of the image in science documentaries makes accuracy an inadequate means by which to judge such films. I suggest that rather than being considered in isolation, accuracy needs to be understood as one of several textual features which together construct the truthfulness of a text. The integrity of the text emerges as the most meaningful concept for evaluating media representations of climate change.