This article aims to formulate and frame the digital strategy of the Collaborative Museum conceptually and to outline the main lines of its immediate implementation plan from a reflexive perspective. The digital strategy is presented as a practice, ‘a doing’, of situated knowledge with specific intentions and urgencies. The article will highlight the fundamental principles of designing access and circulation as core areas of action in the structuring and conception of specific digital projects. By concentrating on the foundational aspects of the digital strategy and offering specific examples of use, I hope to share some of the possibilities and limitations of using digital technologies in decolonial museum work in a way that resonates with readers who access this article.
Cristina Navarro (Wed,) studied this question.