The paper proposes a conceptual framework called 'Personal Shadja' that treats human body weight as a proportional harmonic reference frequency within an octave-recursive harmonic topology.
Towards a Personal Shadja: A Harmonic Representation Framework Based on Human Body Mass and Octave Recurrence Author:Dr. Vidyadhar G. OkeMBBS, MD (Pharmacology)Independent Researcher — Harmonic Systems, Indian Musicology, and Structural Correspondence. Abstract Recent studies examining octave-normalized physical parameters within the Indian 22-shruti framework have demonstrated recurrent high-precision proportional correspondence across datasets including atomic mass, spectral frequencies, ionization behavior, and phonon-related systems. These observations suggest that the 22-shruti framework may represent a broader harmonic proportional topology recurring across natural systems. Biological systems are fundamentally composed of hierarchically organized atomic and molecular matter. Since human body mass ultimately arises from cumulative atomic organization, measurable body weight may also be investigated within an octave-recursive harmonic framework. The present paper proposes the concept of a “Personal Shadja,” in which body weight itself defines an equivalent harmonic reference tonic or octave-framework. Under this approach, body weight expressed numerically in kilograms is treated as a proportional harmonic reference frequency in Hertz. Thus, a 48 kg body corresponds conceptually to a 48 Hz Personal Shadja, with higher octave equivalents generated through powers-of-two recurrence. The proposal does not claim literal physiological sound production or direct physical unit conversion. Instead, it introduces a proportional harmonic representation framework in which biological organization may be represented through octave-recursive harmonic proportionality. The framework is conceptual and exploratory, but suggests continuity rather than separation between physical harmonic proportionality and biological organization. References Bharata Muni. Nāṭyaśāstra. Śārṅgadeva. Saṅgīta Ratnākara. Helmholtz H. von. On the Sensations of Tone as a Physiological Basis for the Theory of Music. Sethares WA. Tuning, Timbre, Spectrum, Scale. Partch H. Genesis of a Music. West GB, Brown JH, Enquist BJ. “A General Model for the Origin of Allometric Scaling Laws in Biology.” Science. Mandelbrot B. The Fractal Geometry of Nature. Oke VG. 99% Match : The Periodic Table and 22 Shrutis of Indian Classical Music : Unveiling the Universal Code of Creation and Music. Kindle edition. ISBN: 978-93-5627-992-6. Oke VG. A Direct Comparison of Shruti Frequencies and Atomic Masses: Harmonic Correspondences and Possible Implications for Materials Science. Zenodo publication. Oke VG. Atomic Spectral Frequencies and the 22 Shruti Framework: A Preliminary Harmonic Mapping of Elements using Sa = 256 Hz. Oke VG. Phonon/Debye Frequencies and the 22-Shruti Framework: A Preliminary Harmonic Mapping of Condensed Matter Vibrational Systems Using Sa = 256 Hz. Oke VG. A Comparative Study of First Ionization Energies and the 22-Shruti Framework of Indian Classical Music. Keywords : 22 Shrutis, Indian Classical Music, Harmonic Proportionality, Octave Recurrence, Harmonic Topology , Atomic Correspondence, Biological Harmonicity, Personal Shadja, Harmonic Architecture, Mathematical Musicology.
Vidyadhar Gopal Oke (Mon,) reported a other. Personal Shadja framework was evaluated. The paper proposes a conceptual framework called 'Personal Shadja' that treats human body weight as a proportional harmonic reference frequency within an octave-recursive harmonic topology.