This article examines the artistic features of conflict construction in modern Uzbek dramaturgy, focusing on its structural, aesthetic, and functional aspects within dramatic works. The study explores how internal and external conflicts are expressed through character interaction, dialogue systems, and psychological depiction. Special attention is given to the transformation of conflict in contemporary Uzbek plays, where philosophical and psychological dimensions increasingly dominate over purely social contradictions. The research also analyzes how conflict functions as a central mechanism in plot development and theatrical expression.
Zuxra Qudaynazarova Qonisbay kizi (Sun,) studied this question.