The art of dance, often considered a universal language, is actually much more complex and cannot be reduced to just a simple form of communication. Although dance uses body movements to convey messages, these movements are deeply rooted in the cultural, social and historical context of those who practice and perform them. Thus, dance is not a universal language in the strict sense of the word, as the meanings of movements can vary considerably between different cultures and societies. This article explores the importance of cultural context in the presentation and interpretation of dance and the particularities that the dancer's body presents, arguing for a multidimensional approach to choreography analysis.
Sandra Elizabeth Mavhima (Fri,) studied this question.