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Synapse
September 3, 20241 citationsOpen Access

Principles of music perception

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SMSamuel A. Mehr

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Abstract

Human musicality is supported by two distinct systems of representation: one for tonal perception, which contextualizes pitch input in reference to a hierarchy of tones; and one for metrical perception, which contextualizes temporal input in reference to a hierarchy of rhythmic groupings. The two systems are automatic, encapsulated, early-developing, and are supported by distinct neural correlates. Growing evidence suggests that the systems are human universals. But like speech perception, and unlike several other perceptual systems, they are uniquely human. The systems of tonal and metrical perception form a foundational structure for musicality that, when combined with the processing of other acoustical information (e.g., timbre, auditory scenes), and applied in conjunction with other cognitive domains, yields a human psychology of music.

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Cite This Study

Samuel A. Mehr (2024) studied this question.

synapsesocial.com/papers/68e597e1b6db643587532c79https://doi.org/10.31234/osf.io/bdpjc
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Also Consider

Synapse has enriched 5 closely related papers on similar clinical questions. Consider them for comparative context:

  1. 1Hearing in Time: Psychological Aspects of Musical Meter2004 · 301 citations
  2. 2The role of knowledge-based expectations in music perception: Evidence from musical restoration.1990 · 45 citations
  3. 3The Evolving Animal Orchestra: In Search of What Makes Us Musical2019 · 29 citations
  4. 4Rhythmic swaying induced by sound in chimpanzees ( Pan troglodytes )2019 · 76 citations
  5. 5The Evolution of Rhythm Processing2018 · 317 citations