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This article delves into the presentation of masculinity and cultural identity in diaspora literature, honing in on Chimamanda Ngozi Adichie's Americanah. The study seeks to understand how cultural expectations and power dynamics contribute to the construction of masculinity within Nigerian diasporic communities, utilizing Connell's theory of hegemonic masculinity. Furthermore, it seeks to examine the impact of cultural fusion on the development of masculinity and cultural identity in male main characters in the chosen novel and to investigate how the intersections of race, gender, and immigrant background converge to influence the formation of masculinity in Americanah. Through a thorough examination of the male characters, the research delves into their engagements with dominant norms while striving to establish their sense of self and connection. The primary discoveries underscore the complex interplay among race, gender, and the immigrant background in moulding not only personal but also communal identities. The investigation pinpoints occurrences of defiance and rebellion against the prevailing masculine norms, while also exploring the potential for cultural amalgamation to redefine conventional ideas of masculinity. This scholarly inquiry enriches the comprehension of the intricate dynamics surrounding masculinity and cultural identification, providing valuable perspectives on the nuances of diasporic encounters and their influence on identity formation within diasporic literary works. In addition, this learned analysis creates opportunities for more inquiries into the relationships among sex, ethnicity, and individuality in contemporary literature, ultimately propelling the awareness of different plots within migrant communities.
Elkateb et al. (Thu,) studied this question.