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The politics of our post-Covid times are expressed through various registers. In Kolkata, one especially powerful artistic medium for such expressions was the revival of street theatre as young and senior theatre practitioners plunged into exploring critical issues that have been all-pervasive since the beginning of the pandemic. As people finally started to venture out, content to be amidst human congregations, street plays, being located in open-air spaces, proved both economical and safe. The issues these street performances highlighted and their modes of presentations could be described as what Tony Fisher calls ‘activist theatre’ – which mobilizes the people by interpellating its audience around a specific grievance or issue that possesses an emotional appeal. 1 These performances are a form of artistic activism, or ‘artivism’ as termed by Chantal Mouffe: the use of aesthetic means for political activism, ‘as a counter-hegemonic move against the capitalist appropriation of aesthetics’. 2
PAUL et al. (Mon,) studied this question.