William Blake’s Songs of Innocence and of Experience (1789- 1794) represents a groundbreaking exploration of human consciousness through poetry. This study investigates Blake’s innovative use of symbolic imagery to construct a dialectical framework that contrasts fundamental dualities, innocence versus experience, freedom versus oppression, and divine love versus human suffering. Through close textual analysis, the research demonstrates how Blake employs contrasting symbols, the lamb and the tyger, the chimney sweeper and the angel, rural idylls and urban decay, to expose fundamental tensions between innocence and experience, freedom and oppression, divine love and human suffering. Focusing on three interconnected symbolic systems social, natural, and spiritual, the research uses close textual examination to reveal how Blake’s imagery is two-faced in operation: both as useful literary devices and as philosophical devices for critiquing the contemporary society. The findings depict how Blake’s symbols consistently reveal institutional hypocrisy, industrial corruption, and religious oppression, while advancing imaginative freedom. The study concludes that the writing of Blake transcends its time, offering eternal wisdom on human nature and society, with particular relevance to an understanding of the dynamic between art, philosophy, and social commentary.
Shiyuan Yu (Wed,) studied this question.