This article proposes a literary and semantic analysis of Surah 12, Yūsuf, centred on the concept of iḥsān (virtue, goodness, or beauty), which reveals the intimate connection between the Qur’ān’s aesthetic value and the veracity of its contents. A close reading of the surah reveals that iḥsān encompasses dream interpretation, wisdom, forbearance, moral excellence, and other prophetic qualities bestowed by God and displayed by Yūsuf throughout the story. Likewise, iḥsān is presented as structurally antithetical to the intrigues (kuyūd, sing. kayd) plotted by the characters of the story, such as Yūsuf’s brothers, or the mistress of the house. These intrigues are explicitly associated with falsehood and deceit, which explains their ultimate failure against Yūsuf, the bearer of iḥsān and the knowledge of truth, and the Divine Decree. This story presents an ethical model which transcends the boundaries of the narrative and is constantly appropriated by the Qur’ān at the metalevel to demonstrate its veracity and its divine origin. Qur’ānic claims such as being the most beautiful of the stories (aḥsan al-qaṣaṣ) are not simply declarations of its unparalleled eloquence, but rhetorical devices that confirm the text’s contents and its authority by constructing a nexus between iḥsān and truth.
Luis Serrano Lora (Thu,) studied this question.