De l’utilité des modèles sémio-pragmatique, socio-sémiotique et sémio-cognitif pour l’analyse de la production sonore cinématographique/audiovisuelle: Vers une nouvelle « trichotomie » sémiotique

Key Points

• The analysis confirms that the sémio-pragmatique, socio-sémiotique, and sémio-cognitif models enrich the understanding of sound production.
• Key evidence emphasizes the application of new semiotic models within multimedia contexts, showing their significant impact on interpretation.
• An observational analysis of audiovisual artifacts illustrates how these semiotic models inform sound production analysis effectively.
• This work highlights the potential for these models to transform traditional semiotic frameworks in audiovisual studies.