The preparation of an actor or performer is fundamental to their ability to embody a role, whether onstage or in ritual contexts. In Theyyam , a ritual dance form of northern Kerala performed in kaavus (‘sacred groves’), the performer transcends into a divine state, blessing and conversing with devotees who also serve as the audience. The process of becoming Theyyam requires the performer to withdraw from worldly affairs, undergo strict ritual observances, and immerse themselves in the persona of the deity through months of mental, physical and vocal discipline. This article explores what enables the complete realization of Theyyam as a performance. It argues that the intensity and energy of Theyyam are deeply rooted in the social subjugation of its performers, who belong to subaltern castes. The experience of oppression and humiliation fuels the performer’s presence, allowing them to assert their significance before the community through the enactment of divine myths that often reflect themes of suffering and resistance. Drawing on narratives and experiences of Theyyam performers, the study examines how these dimensions shape the ritual’s performative force.
Rajesh Komath (2025) studied this question.