Beyond family structure: The family in domestic comedy

This inquiry examined the portrayal of family relationships in domestic comedy. Participants were randomly assigned to view and evaluate samples of thirteen programs, selected for the study on the basis of their popularity during the period 1950‐1990. Separate discriminant function analyses of spousal and parent‐child relations showed that spousal relations were defined in terms of receptiveness and expressiveness while parent‐child relations were defined in terms of the effectiveness of child socialization and the affective tone of the relationship. Further examination provided strong evidence that the development of the television family has occurred as a stepwise process in which successive generations have been characterized by changed levels of relational openness and a general trend toward increased expression of affect in spousal relations. The study yielded no support for the claim that family life and family relations have deteriorated across time in the television family although there was evidence that working‐class families are seen to be less functional than higher socio‐economic status families. The limitations and implications of these findings are discussed.