Abstract This essay sketches a historical poetics of the elegy by tracking its formal metamorphoses from its archaic Greek and Roman origins to the German philosophical elegy and its modern Anglophone afterlives. Against dominant interpretations that define elegy exclusively by its content as a poetry of death, the essay emphasizes the dialectical tension between the elegy's particular poetic form and that content. Through readings of Mimnermus, Catullus, Goethe, and Hölderlin alongside more recent poets such as Mary Jo Bang, Larry Levis, and T. R. Hummer, the essay argues that elegy's asymmetrical meter and monodic voice figure the irresolution between mourning and the elliptical persistence of its presentation. Ultimately, by reading the broader history of the elegy, the essay suggests that rather than solely commemorating a private loss, the elegiac mode can be seen as a form of history itself.
George Kovalenko (Mon,) studied this question.
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