This essay discusses a recent trip to Bangladesh‟s Kantanagar Temple, which is located in the northern Dinajpur area and is well-known throughout Bengal for its exquisite terracotta ornamentation. The exquisite 18th-century temple presents significant socio-political and cultural insights into the Bengali people as perceived by the highly trained terracotta craftsmen through the many terracotta plaques. This dissertation examines the terracotta tiles of the temple to understand the socio-political and cultural background of the temple's construction in the late eighteenth century. The terracotta tiles serve as a reflection of several aspects of that era‟s culture, including religious beliefs and mythology, social hierarchy and positions, everyday life and customs, artistic styles and techniques, cultural diversity, influences and historical context. Through a careful examination of these terracotta tiles, this study aims to provide information on the historical background, beliefs, daily activities, and artistic traditions of the late eighteenth-century community in northern Bengal.
Nasrin Akhter (Fri,) studied this question.
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