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Background and Aim: This study takes the cultural connotation of the literati space in the Qianlong period of China as the theme. The utensil culture in the literati space during this period was the most aesthetic period in history. The ceramic products were more exquisite, and the shapes, patterns, colors, and other elements of the ceramics were all Designed and produced according to the aesthetic standards of emperors and scholar-bureaucrats must have a high aesthetic trend in the selection process of ceramic elements. Through research, it is obtained to create a Qianlong-themed "literati space" furnishing system, promote the development and innovation of ceramic art, and more importantly, restore and reproduce the cultural elements and artistic styles of the Qianlong period, allowing people to regain their confidence and pride in traditional Chinese culture. Enhance national identity and cultural pride. Materials and Methods: This study uses document analysis and interview methods to study the cultural connotation, elements, form, composition, etc. of "literati space" in the Qianlong period, and conducts a systematic analysis based on the classification, composition form, and display principles of contemporary literati space ceramics. Three experts in various ceramic-related fields, including Le Xiaomao, Chen Shi, and Cai Lingling, were selected as interview subjects. They respectively studied the historical origin of literati space, the spatial layout, elements and patterns of literati space, the field of meaning, and the field of product design or innovation. In the field of design, he puts forward his unique understanding and insights on the development of literati space and the creation of contemporary literati space. Results: The results show that the "literati space" during the Qianlong period paid great attention to the principle of meticulous and elegant furnishings, paying attention to details and quality, and demonstrated the pursuit of materials, craftsmanship, and beauty through carefully selected ceramics, furniture, calligraphy and paintings, and furnishings. At the same time, attention is paid to the balance and harmony of space and the unity of function and aesthetics. Through Qianlong's themed "Literati Space" and the creation of ceramic works, we can promote the development and innovation of ceramic art, explore new materials, techniques, and expression methods, and inject modern elements and thinking, making ceramic art more in line with the aesthetic needs and needs of contemporary society. cultural expression. Conclusion: Based on the research results, a furnishing system was obtained to create a Qianlong-themed "literati space", which promoted the development and innovation of ceramic art. More importantly, it restored and reproduced the cultural elements and artistic styles of the Qianlong period, allowing people to regain traditional Chinese culture. confidence and pride, and enhance national identity and cultural pride.
Chi et al. (Thu,) studied this question.