Samuel Taylor Coleridge (1772–1834) and Nature’s Divine Participation: Reverence for the One and the Many in the Scientific and Poetic Imagination

This paper considers the influence of Platonism and Neoplatonism on the British Romantic poet and theologian Samuel Taylor Coleridge (1772–1834) and how they informed his reverence for nature. Coleridge did not see this reverence as merely personal but sought to call an increasingly materialist and industrializing England back to a Platonic social imagination that would better revere the created world. First, I will establish the influence of Platonic and Neoplatonic thought on his philosophical system. Second, I will show how the relationship between Platonic philosophy and scientific pursuit is worked out in Coleridge’s “Essays on Method”, wherein he attempts to synthesize Plato with Frances Bacon and poetry with science and proposes a scientific method that reverences all of creation in its individuality and participation within a spiritual whole. Third, I will briefly explore two of Coleridge’s most famous poems, The Rime of the Ancient Mariner and Christabel, as both show the destructive potential of a lack of reverence for the mysterious natural order. These poems may be read as case studies, experimental worlds where refusal to recognize nature’s order and participation with the divine results in the coming apart of those worlds and the self’s relation to them.