Cellulose acetate (CA) is a semi-synthetic polymer widely present in modern and contemporary collections, yet its conservation poses major challenges due to its chemical and physical instability. Hydrolytic degradation, acetic acid release, plasticizer loss, and embrittlement compromise both structure and surface, making cleaning particularly difficult. Conventional cleaning methods may cause abrasion, extract additives, or alter gloss. Although hydrogels have shown promise for CA cleaning, the literature remains extremely limited. This study reports a preliminary investigation of gel-based cleaning on Le Rituel (1968), a heavily soiled cellulose acetate (CA) artwork by José Escada. The object’s condition was assessed through visual inspection, pH measurements, volatile acidity testing, and infrared spectroscopy. Cleaning tests were conducted on a CA replica (2006) with superficial soiling and on selected artwork areas. Two gel formulations were evaluated: the biopolymer agar-agar rigid gel and the synthetic viscoelastic poly(vinyl alcohol)-borax (PVAl-Borax) gel. Agar-agar was effective as a first step, reducing superficial soiling and humidifying adherent residues for subsequent removal, while PVAl-Borax was advantageous in the second step, as its viscoelastic properties enabled controlled mechanical action and facilitated the removal of more adherent residues. This case study demonstrates the potential of combined gel systems as versatile tools for CA conservation.
Sá et al. (Thu,) studied this question.