The interview presents dance as a profoundly personal and transformative experience for the dancer, a language through which she articulates her innermost self. Dance, for her, embodies a sense of oneness, completeness and connection with the space, time and the world around the dancer emerging from an ‘unknown’ yet intimate, poetic and kinetic. Through movements, she experiences continual transformation and renewal, using the body as a medium of expression that transcends verbal communication. The interplay of silence and motion in Rajashree’s choreographic compositions facilitates multilayered reflection, reconstruction and reinvention of form and emotion, allowing both the artist and the dancer to be rediscovered with each performance. Reflecting on her formative years, choreographic explorations and interdisciplinary engagement with dance and music, Rajashree positions her artistic practice as a sincere and reflective endeavour to synthesize diverse artistic and literary influences within the framework of Bharatanatyam. She underscores that theoretical understanding emerges organically from practice akin to a snake shedding its skin, knowledge attains authenticity only when it is internalized through rigorous training and imagination. Rajashree blends the mastery of techniques and artistic vision that transform a form of dance into a dignified and majestic expression of true artistry.
Sreenath Nair (Sun,) studied this question.