The Minoan Linear A libation formula — a standardized sequence inscribed identically on 41 ritual vessels across 27 sites on Crete — has resisted linguistic decipherment for 125 years. This paper proposes it is not a linguistic text but a complete seven-string lyre performance score. Three convergent pillars of evidence are presented: (1) structural analysis demonstrating that the formula's six phrase segments map precisely onto the Minoan lyre's two tetrachords (E-F-G-A and B-C-D-E), with syllable repetitions TE-TE and SA-SA encoding double-struck notes rather than linguistic reduplication, and the JA- prefix functioning as a phrase-onset cue marker; (2) Helmholtz resonance calculations showing the lyre soundbox calculates to E3 at 94.7% accuracy — the root note of the lower tetrachord — and seven strings at 45cm with varying thickness produce pitches at 94.4-100.0% accuracy, with String 3 achieving perfect 100.0% accuracy; (3) cross-civilizational corroboration establishing that the predecessor Cretan Hieroglyphic script contains three documented musical instrument symbols, confirming acoustic notation predates Linear A in the Minoan tradition. The formula opens on E3 and closes on E4 — a perfect octave arc. Published academic research already identifies a possible musical encoding in a Linear A wall inscription at Hagia Triada. This paper extends the unified acoustic notation framework to six civilizations spanning 7,000 years of human history. The score has been waiting, inscribed in stone, for someone to listen. DOI links: IVS: https://doi.org/10.5281/zenodo.19106373 | Vinča: https://doi.org/10.5281/zenodo.19139793 | Rongorongo: https://doi.org/10.5281/zenodo.19140710 | Khipu: https://doi.org/10.5281/zenodo.19141348 | Zapotec: https://doi.org/10.5281/zenodo.19142283 | Copyright © 2026 Abelardo Rios Jr.
Jr et al. (Sat,) studied this question.