Since the early 2000s, Malaysian Chinese independent cinema has garnered international recognition, with James Lee emerging as one of its most influential figures. Distinct from many of his contemporaries, Lee’s films feature a unique sound design that plays a pivotal role in articulating cultural identity. This study, grounded in in-depth interviews with the director, investigates how sound aesthetics function as a vital medium for cultural expression. In the postcolonial context of Malaysia, sound is revealed not merely as a narrative device but as a complex tool of cultural translation. Lee’s creative practice exemplifies what this study terms a “sound-driven non-conscious cultural expression”, wherein surreal sound treatments and multilingual environments construct an aesthetic that is both locally rooted and transnational in scope. By drawing upon sound theory and theories of cultural identity, this research uncovers the significance of sound aesthetics in multicultural contexts, offering new perspectives for film and cultural studies alike.
Jiang et al. (Mon,) studied this question.