This study examines the changes in the expressive form and artistic characteristics of the Korean Chinese fan dance under the cultural and artistic policies of the People’s Republic of China. Previous studies have insufficiently analyzed the artistic transformation of the fan dance and its role in cultural exchange, especially when used as a tool for political propaganda. Therefore, this study analyzes how the fan dance evolved from a politically centered performance to an artistically driven one, based on policy documents and representative works. The findings show that, since the Reform and Openingup, the Korean Chinese fan dance has reflected both ethnic identity and creativity, developing into a form of stage art. Moreover, it has formed new artistic styles through cultural exchange between China and South Korea. By systematizing the artistic value and developmental logic of the Korean Chinese fan dance, this study aims to provide a foundation for future research on ethnic arts and related policy development.
Kim et al. (Thu,) studied this question.
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