In 1973, British musician, social anthropologist, and ethnomusicologist John Blacking published his seminal work, How Musical is Man? In this book, Blacking describes his 1950s ethnographic study of the Venda people in South Africa, which explores how humans develop and interact with music. For this transcendent autoethnography, I transform Blacking’s book title into a transcendent research question and ask, “How musical is God?” Springboarding off four of Blacking’s principles, I answer this question from the perspective of a Christian and music educator who believes the Bible is the foundation of truth. I explore the mystery of God, humans, and music by referring to the account of the creation in Genesis 1 and 2 and other related verses in the Bible. The exploration encompasses the sonic order wisely created by God, the cognitive system that reflects humans as God’s image bearers, how music is structured reality for things unseen and necessary for faith, and beauty as a God-ordained component for rest. I conclude the paper by answering, “How musical is God?” by reconciling my response to biblical truth in the Christian tradition.
Susan Quindag (Sun,) studied this question.
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