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This essay delves into Gary Snyders English translation of Han Shans poems from lens of the manipulation theory. The manipulation theory, originated in the field of translation studies, argues that translations are not mere reproductions of the original texts but are shaped by various ideological, cultural and historical factors. From the perspective of Lefeveres manipulation theory, translators and their translation activities are inevitably manipulated by three elements: ideology, poetics and patronage. Han Shan, a Tang Dynasty poet renowned for his Zen Buddhist-influenced works, has gained significant attention from translators including Snyder, a leading figure in the American Beat Generation and a profound student of Zen Buddhism. In examining Snyders translation, the essay explores the embodiment and influence of ideology, poetics and patronage. By employing Manipulation of Translation, this essay aims to provide a nuanced understanding of Snyders translation and sheds new light on how translators, like Snyder, can serve as cultural mediators, shaping our understanding and appreciation of foreign literary works.
Sifan Wang (Tue,) studied this question.
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