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This article studies the cultural connotations and evolution of Hong Kong martial arts films from the perspectives of "Wu" and "Xia". From the opening of the spirit of chivalry in the hearts of the people to the center of pleasure, enmity, and enmity, and then to the flourishing era of playful and cute chivalry, Hong Kong martial arts films have gradually developed their own unique artistic style and cultural characteristics. However, with the liberation of the world of drinking and the decline of martial arts, martial arts films have also begun to downplay their inherent chivalrous spirit and focus on visual effects. This article traces the origin of traditional Chinese chivalry culture, mainly from the aspects of chivalry spirit, sword worship mentality, etc., and analyzes its artistic expression in the film. This article argues that martial arts films from Hong Kong's "Wu" culture not only have excellent elements of martial arts performance, but also incorporate traditional Chinese culture, demonstrating their profound heritage. The culture of "Xia" conveys the spirit of justice, fairness, and morality by shaping the character representation and living space of chivalry.
Chsing et al. (Fri,) studied this question.