Indo-Persian Identities in Medieval Muslim Deccan

Between the 14th and 17th centuries, the Deccan Plateau region saw the emergence of Muslim sultanates (Bahmani, Ahmednagar, Bidar, Golconda, Bijapur, Berar, Bijapur) whose political, religious, intellectual, and artistic elites are deeply imbued with the Persian language and culture. They thus continue a long tradition of the dynasties that appeared in the east of the Muslim world, since the 9th century (Samanids, Ghaznavids, Ghurids, Khwarazmshahs, Ilkhanids, Timurids), as well as the Muslim political power ruling northern India, between the 13th and the 16th centuries (Delhi Sultanate). In all of this, regardless of the origin of the political-military elites who were in power (Turks, Afghans, Caucasians, Iranians, Indians converted to Islam), Persian becomes both the political-administrative language and the language of culture. Our study aims to provide an insight into the ways in which this Persian reference was disseminated, developed, assumed in the Bahmani Sultanate, and then in the other five sultanates that emerged after its dissolution (1527). For over three centuries, the dynasties in power patronized a very rich cultural life, where traditional Persian elements, brought here by scholars, religious people, Sufis, poets, artists coming from the Middle East and Central Asia, were shaped and adapted to the realities of the Indian environment. These symbioses were especially visible in art (primarily in miniatures) and in the development of new artistic expressions within what is called Indo-Islamic architecture.