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This study adopts semiotics as a theoretical tool to analyses Cantonese embroidery and Middle Eastern embroidery in depth. As an important part of Guang Fu culture, Cantonese embroidery is explored in detail in terms of its historical development, cultural status and symbolism of motifs. Middle Eastern embroidery is famous for its exquisite patterns and deep cultural heritage. This paper focuses on analyzing the cultural symbolism of its patterns and status in Middle Eastern culture. A comparative analysis of the two embroidery arts reveals the similarities and differences in symbolism and representation, as well as the influence of regional cultures, religions and beliefs on the symbolism of the motifs. The study aims to promote and protect the traditional art of embroidery, facilitate multicultural understanding and exchange, and promote the economic development of foreign trade in garments between Guangdong and the Middle East, providing a new perspective on cultural heritage and economic development.
Jin et al. (Fri,) studied this question.