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The present article offers a new interpretation of the gladiatorial graffiti preserved within the Flavian Amphitheatre from a contextual perspective. Although recent scholarship has set a solid foundation for investigating the role and nature of gladiatorial graffiti, a contextual examination of this epigraphic category represents a major desideratum . The article investigates graffiti within the epigraphic environment of the Flavian Amphitheatre. It examines the juxtaposition of graffiti and official inscriptions, their interaction with spatial and material surroundings and their distinctiveness as visual and material media with which to perpetuate the fleeting arena performances. By combining close reading with a new visual representation of gladiatorial graffiti – created digitally upon autoptic study – the article provides the reader with the first systematic analysis of this exceptional epigraphic record. Challenging critical notions of impermanence and instability, the article explores strategies of memorialization and techniques of temporality performed by graffiti, inviting reflection on the negotiation of and paradoxical takes on the contradictory concept of monumentality in the arena.
Alessandra Tafaro (Mon,) studied this question.