Union of Writers of Khakassia 1992-1998. The role of personality

The oldest and most authoritative creative union in the Republic of Khakassia is the Union of Writers. In the 1990s, the system of organizing the economic life of the writers' organization was destroyed, and the work of the association during this period was dictated by the need to preserve the experience of organizational work accumulated in Soviet times, to find new mechanisms for further existence and creative development. The subject of the study is the activity of N.M. Akhpasheva as chairman of the Union of Writers of Khakassia (1992–1998). She was able to maintain the capacity and authority of the creative association. The object of the study is the Union of Writers of Khakassia as a creative association that has a direct impact on the development of culture of the Republic of Khakassia. Special attention is paid in the study to the mechanism of activity of the regional writers' department and the influence of the personality of the chairman, N. M. Akhpasheva, on it. In the process of work, special historical research methods were used: problem-chronological, historical-genetic, historical-comparative, historical-systemic. The narrative method (sometimes called descriptive-narrative) was used for a coherent presentation of documents examined in the archives about the activities of N.M. Akhpasheva and the Writers' Union. For the first time, the paper attempts to analyze the peculiarities of the relationship between the chairman of the Union of Writers of Khakassia N.M. Akhpasheva and colleagues within the creative union, its relationship with the authorities and society of the Republic of Khakassia in the period 1991–2021. The scientific novelty lies in the study of creative guidelines in the most influential creative association of the selected period. The author pays attention to the contribution of the chairman of the creative organization N.M. Akhpasheva to the development of national and regional culture. When analyzing archival documents of this period, the directions of activity are traced, new approaches in organizing the activities of writers are identified, and the conclusion is made about the importance of the role of the creative association and its chairman in the culture of the republic of this period. All this gives us the right to present a general panorama of the activity of the chairman and the creative union, the role of individual representatives in the cultural and historical life of the Republic of Khakassia during the selected period, as well as in clarifying the main forms of activity of the association.