In her essay, Izabela Pluta examines how temporal distance and spatial logic intersect in artistic practice through artistic research, focusing on photography’s role in shaping memory and experience. Departing from her biographical experience, and taking a number of her own projects as case studies, the artist reflects on practices such as gleaning or collage as ways of envisioning reflexive artistic objects and gestures. deconstructing the photoalbum as choreography of glances in the process. Ultimately Pluta talks about her preoccupation with fragmentation and reassembly and the importance of art as embodied encounter for her work, allowing to think about the contingency of meaning.
Izabela Pluta (Wed,) studied this question.