Abstract: U. R. Ananthamurthy’s Samskara (1965) remains a landmark in Indian literature for its searing critique of Brahmin orthodoxy and the caste system. Set in a decaying agrahara, the novel focuses on the internal contradictions, hypocrisies, and moral inertia of the Brahmin community in the face of social and spiritual crisis. This paper revisits Samskara as a powerful interrogation of caste privilege, exposing the moral bankruptcy and performative piety of upper-caste elites. Drawing upon the central character Praneshacharya’s spiritual dilemma and the community’s collective inaction, this study analyzes how Ananthamurthy uses narrative irony, symbolism, and philosophical inquiry to challenge the sanctity of caste-bound identities.
Avishek Manna (Mon,) studied this question.