As the foundation of animation art, traditional painting techniques ensure artistic quality and emotional depth in works. However, their lengthy production cycles and high labor costs have also somewhat constrained industry development. AIGC technology demonstrates immense potential in processing massive datasets, generating initial concepts, and optimizing production efficiency. This paper, therefore, explores the practical integration of AIGC with traditional painting across core animation production stages—pre-production concept design, mid-production animation generation, and post-production lighting/shadow processing—while proposing corresponding optimization pathways. The aim is to provide a valuable reference for film and television animation creation practices.
Du Chan (Wed,) studied this question.