Adapting a literary text into a visual form is a fascinating process that grapples with the inherent tension between words and images. It's only natural that some elements may need to be condensed or omitted when translating linguistic signs into visual ones. The visual representation of a literary work can lead to the reimagining, adjustment, or revaluation of the significance of previous literary works. The division of the Indian subcontinent has garnered significant attention in literature, yet there has been a noticeable lack of discussion in serious cinema and academia regarding the partition and its associated matters . Bapsi Sidhwa's novel Ice-Candy-Man endeavours to reevaluate and reconstruct the narrative of Partition, amplifying the voices of marginalised communities across various dimensions such as gender, class, ethnicity, and nationality. Sidhwa critically examines the history of Partition through a feminist lens and from a Pakistani standpoint, challenging the prevailing discursive patterns of historical discourse in Europe and India. Deepa Mehta's 1947; Earth, in contrast to the novel, can be viewed as a component of the larger narratives surrounding communal violence and the complexities of human behaviour . The film adaptation of the novel stays true to the original source material, maintaining the same general plot and dialogue. However, cinema presents a unique medium with its own set of considerations such as economics, authorship, production, distribution, and reception. As a result, certain issues from the novel may be downplayed while others take centre stage. For discovering the captivating exploration of the portrayal of Ice-Candy-Man in its mesmerising cinematic adaptation, the study has utilised a qualitative approach, employing content analysis to delve into the profound association between Bapsi Sidhwa's Ice -Candy -Man and Deepa Mehta's 1947; Earth. The paper deals with the representation of the partition of india in literature and cinema through a comparative analysis of Ice Candy Man and its film adaptation This study underscores the interplay between cinematic narratives and Partition literature. It demonstrates how adaptation can alter specific narrative components to improve cinematic efficacy while retaining the fundamental themes of human suffering, social discord, and displacement. A comparative analysis of the novel and its film adaptation reveals that the literary work offers deep psychological insights through its narrative perspective, whereas the film adaptation intensifies emotional and visual engagement with the traumatic realities of Partition. Ultimately, the research findings indicate that these modifications significantly bolster the preservation of cultural memory and the recontextualization of such memories. This highlights the collaborative influence of cinema and literature on contemporary discussions surrounding historical events.
Agnihotri et al. (Fri,) studied this question.