Abstract In this paper, we take a participatory approach to the study of Disabled DJs’ experiences of navigating dance music culture. In collaboration with Drake Music – a leading UK charity on disability, music, and technology – we report on empirical research conducted with Disabled DJs, including media diaries and interviews, and consider our results in relation to dance music and disability scholarship. We show that being Disabled can both enrich and pose barriers to DJing, including experiences of hyperempathy for the dancefloor, conflicted feelings about dancing, and destabilising notions of DJ authenticity. DJing offers a role through which Disabled people can participate in the social and creative practices afforded by dance music culture, away from the crowd and through the music. In this way, this research challenges key essentialisms in dance music scholarship and disability research, including the centrality of dance and body movement and the social deficits of neurodivergence.
Witek et al. (Mon,) studied this question.