Within the legal framework of Vietnam’s Cinematography Law, this paper examines how film education institutions can equip learners with the capacity to reconcile creative individuality with ethical and social responsibility through cinematic works. The study focuses on managing sensitive topics, such as spirituality, superstition, violence, and sexuality, which often encounter censorship barriers in Vietnam. In doing so, the paper aims to contribute to fostering conscience, ethics, and humanism in twenty-first century cinema. Employing a qualitative methodology, the research combines statutory analysis of current regulations (Cinematography Law 2022, Circular 05/2023/TT-BVHTTDL), benchmarking age-based film classification systems, and case study analysis of three publicly controversial Vietnamese films: The Third Wife, Taste, and Bụi đời Chợ Lớn. Findings reveal that the decisions of the Film Appraisal Council are substantially influenced by context, artistic intention, and potential harm to audiences rather than by the mere presence of sensitive content. On this basis, the paper contrasts legal provisions with practice, and proposes a set of ethical principles to be integrated into film education. These guidelines are intended to help future filmmakers address sensitive content in ways that are legally compliant and culturally appropriate, without diminishing artistic value or audience appeal.
Hà Đặng Thu Hà (Wed,) studied this question.