Understanding poiesis, or poetic making, from an Aristotelian perspective is fundamental to architectural creation. This study thoroughly explores architectural poiesis through an anthological analysis of three distinct design exercises, each representing different levels of reality: ideal (abstract), projectual (designed), and built (evoking the Latin word aedificatio). Using these cases, the research clearly demonstrates how universal, abstract ideas are translated into specific architectural realities through a rational and intentional creative process. The findings reveal that architectural poiesis operates as a critical and coherent manifestation of order grounded in universal principles, rules, and fundaments, which adapt fluidly to contextual limitations at each phase. This methodological framework effectively bridges philosophical theory and practical architectural production, offering valuable insights into the genesis of architectural form. The study significantly contributes to architectural knowledge by articulating a structured approach that integrates concept, design, and construction, highlighting the architect’s essential role as an organizing actor who imagines, conceives, and rationally builds the place where human beings dwell.
Benavides Javier (Sun,) studied this question.