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While largely discounted as a genuine sport by most, professional wrestling has evolved from a minor source of “entertainment” to a culturally powerful multi-media complex. Attracting audiences in abundance of fifty million viewers on a weekly basis, professional wrestling has become the number one rated “sports-entertainment” program on television. In doing so, professional wrestling broadcasts challenge long-standing cultural constructions of sport in North America, while hyperbolising and unapologetically exploiting that which is highly entertaining about professional sports contests. Specifically, professional wrestling's mandate is to excite audiences via contrived and hyper-violent athletic competition. Drawing on Elias' (1978, 1983, 1994, 1996) and other process-sociologists' (Dunning, 1999; Maguire, 1999; Sheard, 1999) understanding of mimesis, it is argued here that professional wrestling derives the bulk of its cultural appeal from the ways in which the staged violence is presented as both “sporting” and “exciting” to audiences.
Michael F. Atkinson (Fri,) studied this question.