This article contends performance comedy serves as a mechanism for expressing ethnic and racial stereotypes in public and presents a challenge to studies of contemporary racial discourse which suggest overt racetalk in public is on the decline. In this ethnographic study on the training of stand-up comedians, I probe how comedy students learn to use rhetorical performance strategies to couch ethnic and racial stereotypes in more palatable ways, in order to be ‘funny’ rather than ‘offensive’ in public. Using critical discourse analysis (CDA), this study illustrates the role elites play in managing racial discourse. It is found that white versus non-white comedy students are taught to engage in racial discourse in different ways. Whites are taught distance and denial strategies which allow them to engage in overt racial commentary and deny racism or racist intent, while non-whites are often encouraged to engage in racial stereotypes uncritically. This study shows how strategic use of humor allows the ‘constraints’ on current racial discourse, on whites in particular, to be broken, suggesting a new phase of color-blind racism may be underway.
Raúl Pérez (Mon,) studied this question.