The Earliest Generation of Missionary Photographers in West Africa and the Portrayal of Indigenous People and Culture

That photographs have been neglected in the study of African history has become, in recent years, a well-established truism. To take one point of entry into the literature which has set out to correct this deficiency: a Seminar held in SOAS in 1988 on “Photographs as Sources for African History” amply confirmed this point (Roberts 1988). The papers and discussions indicated the scope—and the problems—of some of the well-known and less well-known, holdings in this field. They also showed, however, that a number of scholars had already devoted considerable thought to the implications of historic photographic holdings for the pursuit of historical and anthropological studies not only in colonial history but also in African history per se . A similar point of entry for the German-speaking world is provided by the literature accompanying an important exhibition which toured a number of West German museums in 1989. “Der geraubte Schatten” concerned itself with the history of photography in the whole non-European world (Theye 1989; Ueber die Wichtigkeit 1990; see especially the essays by Wagner and Corbey for reflections on missionary photography).