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Preface and Acknowledgments Part 1: Meaning and Interpretation 1. Music in the Vococentric Cinema 2. Tools for Analysis and Interpretation Part 2: Music in the Mix: Casablanca by David Neumeyer and James Buhler 3. Acoustic Stylization: The Film's Sound World 4. Music and Utopia: A Reading of the Reunion Scene 5. The Reunion Scene's Contexts Part 3: Topics and Tropes: Two Preludes by Bach 6. Performers Onscreen 7. Underscore: Four Studies of the Prelude in C Major Notes Bibliography Index
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