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This article suggests a turn to disabled people’s formations of disability culture, as expressed in the arts, for new ways to imagine community integration. As I look to the arts, I examine not only the representations disabled artists create, but the art-making and arts-presenting processes themselves. I illustrate this argument by analyzing innovations in the integration of people with disabilities in professional concert dance in two American companies: AXIS Dance Company and Kinetic Light.
Carrie Sandahl (Mon,) studied this question.