Beyond the subaltern syndrome: Amitav Ghosh and the crisis of the bhadrasamaj

Using some of Amitav Ghosh’s influential non-fictional writings to understand his own novels, this paper problematizes Ghosh’s works in terms of the crisis of the bhadrasamaj or the middle class makers of the nation and civil society in India. Indeed, we may detect a direct line of literary and cultural descent from the two iconic figures of recent Bangla culture, Rabindranath Tagore and Satyajit Ray, to Ghosh’s complex career. But instead of a continuity, Ghosh’s works are a record of epistemic ruptures engendered by the breakdown of grand narratives of nations and the eruption of civic violence. The crisis in Tagore is a combination of private and public failures exemplified in a text such as Nashtonir, filmed so eloquently as Charulata by Ray. A similar crisis in the private and public domain is seen in Ray’s Ganashatru and Agantuk, his last works. While versions of similar crises are visible in Ghosh’s novels including The Shadow Lines, The Calcutta Chromosome, and The Hungry Tide, I argue that instead of confronting them head on as his predecessors did, Ghosh tends to be evasive, either by not allowing them fully to develop or escaping into coincidence, “doubling”, or romanticism. Does such a retreat into narratives of exodus or romanticized celebrations of failed experiments such as the Morichjhapi settlement signify a shift in both the self-confidence and the priorities of the bhadrasamaj, whose product and representative Ghosh is?