This book review examines Diversity of Aesthetics, a recent book collection that addresses the timely issues of collective action, art and the complicity of heritage institutions in grand structures of race and capital. The review considers the book’s stylistic structure as a series of conversations and discusses its strengths and weaknesses. It recommends the book to scholars of art, social criticism, museums, and social movements, praising it as a captivating text.
Alma Simba (Thu,) studied this question.