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Daniel Berlyne and disinterested criticism: inter- and intra-disciplinary discourse John Furedy Part I. Visual Aesthetics: 2. But is it science? Rudolf Arnheim 3. The 'frame' as a key to visual perception Nycole Paquin 4. Aesthetics and visual semiotics Fernande Saint-Martin 5. The complementarity of art and design Tsion Avital 6. From perception to production: a multileveled analysis of the aesthetic process Gerald C. Cupchik 7. A science of vision for visual art Francois Molnar 8. Sweetness and light: psychological aesthetics and sentimental art Andrew Winston 9. Psychobiography and visual creativity: four pattern Pavel Machotka 10. Cognitive profiles of artists Ellen Winner and M. Beth Casey 11. Assessing knowledge in the visual arts George W. Hardiman, Feng J. Liu and Ted Zernich Part II. Literary and Other Aesthetic Processes: 12. The beginning of a new psychology: Vygotsky's psychology of art Vladimir S. Sobkin and Dmitry A. Leontiev 13. Empirical aesthetics in the USSR: selected topics Dmitry A. Leontiev, Vladimir M. Petrov and Vladimir S. Sobkin 14. The psychology of literature: a social-cognitive approach Janos Laszlo 15. Why literature is not enough, or: literary studies as media studies Siegfried J. Schmidt 16. Uncovering the laws of literary history Colin Martindale 17. Evolution of art and brain asymmetry: a review of empirical investigations Vladimir M. Petrov Part III. Play: 18. A neurophysiological theory of play Istvan Bende and Endre Grastyan 19. Paradoxes of children's play in Vygotsky's theory Elena A. Bugrimenko and Elena O. Smirnova 20. The personal component in playing interfaces Moshe D. Caspi.
Cupchik et al. (Sun,) studied this question.