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The paper takes the form of a broad-based exploration of the visual representations of refugees across a range of media forms. Firstly it suggests that these media images have origins in Christian iconography. Then the discussion considers the treatment of forced migration in the fiction film, proposing that cinema representations often conform to the "road movie" genre. A discussion of contemporary issues in the media representation of refugees points to the necessity and direction for future research on the subject.
Terence Wright (Mon,) studied this question.