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The Constitutional Revolution of 1906-1911 and the developments of the following decade greatly altered the social and political atmosphere in Iran. Poetic changes created in the wake of these developments were of considerable transitional importance and generated a suitable literary atmosphere for the more basic changes introduced by Nimā Yushij in the 1920s and the 1930s. A major issue in this regard is the impact of revolutionary developments on the general outlook and the literary creativity of the contemporary poets. The present paper includes a short introductory survey of the background and the characteristics of the “constitutional poetry” and a general discussion of the revolution's impact on the contemporary poets. A number of “constitutional poets” are then discussed individually.
Sorour Soroudi (Mon,) studied this question.
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