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This article explores the metaphor of performance to investigate how tourism can be conceived as a set of activities, imbricated with the everyday, whereby conventions are reinforced and broken. By looking at the contexts in which tourism is regulated, directed and choreographed or, alternatively, is a realm of improvisation and contestation, I will consider the constraints and opportunities which shape the ways in which tourist space (here considered as ‘stages’) and performance are reproduced, challenged, transformed and bypassed. A range of examples will be used to exemplify the ways in which tourism is staged and performed. I will also focus on how the global proliferation of tourist practices and attractions acts to theme tourist space in highly commodified ways and simultaneously decentre normative modes of performing tourism.
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Tim Edensor
Manchester Metropolitan University
Tourist Studies
University of Staffordshire
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Tim Edensor (Fri,) studied this question.
synapsesocial.com/papers/69deaba7afb501b9b65586a3 — DOI: https://doi.org/10.1177/146879760100100104
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